The first epic novel in THE GLORIOUS YEARS series from the two times winner of the prestigious Prix-Goncourt 'You have the ingredients Balzac would have cooked with. And it is exactly those great 19th century novels that Lemaitre will remind you of' Sunday Times The Pelletiers are a prominent French family living in Beirut, dominated by Louis, who has built a hugely successful business manufacturing artisanal soaps. Louis has three sons, but none seems to have the aptitude for commerce he desires. There's Jean, the eldest, a feckless man who is both lazy and weak. When his ambitious wife suggests a move to France, he jumps at the chance for escape - for Jean has a secret that no-one must ever uncover. Etienne is the youngest son, who travels to Saigon looking for love, and there uncovers financial corruption and violence linked to the very highest officials - evidence that presents a real threat to his own life. François, the middle Pelletier brother, leaves for Paris and becomes a journalist. When he reports a shocking and brutal murder, he realises he's uncovered the work of a dangerous serial killer, one who may be very close to home. Absorbing, colourful and rich with no-holds-barred detail, THE WIDE WORLD is a terrific novel of greed, blackmail, and shocking crime. 'Literature with conviction; a furious talent' L'Obs

'A magnificent small book to read urgently' Liberation Once upon a time in an enormous forest there lived a poor woodcutter and his wife. Around them a war wages, and hunger is a constant companion. Yet every night, the woodcutter's wife prays for a child. On a train crossing the forest, a Jewish father holds his twin children. His wife no longer has enough milk to feed them. In hopes of saving both their lives, he wraps his daughter in a shawl and gently throws her from the train. While foraging for food, the woodcutter's wife finds a bundle, a baby girl wrapped in a shawl. She knows that this little girl will be pursued, but she cannot ignore this gift: she will accept the precious cargo, and raise her as her own. . . Set against the horrors of the Holocaust and told with a fairytale-like lyricism, The Most Precious of Cargoes, translated from French by Frank Wynne, is a deeply moving fable about family and redemption, a story that reminds us that humanity can be found in the most inhumane of places.

LGBTQ writing from ancient times to yesterday, selected by award-winning translator Frank Wynne. Since the dawn of literature, queer people have turned to writing to document their existence: to share great triumphs and deep despairs; to praise the virtues of their lover, extol their loneliness and proclaim their lust; to tell of their peculiarities and mundanities. For almost as long, they have been censored and bowdlerised, persecuted and relegated to the margins. No longer. Alive in these pages, readers will hear Homer's Achilles beat his chest in grief for the loss of his Patroclus and Paul Verlaine exalt the arsehole of his lover. They will see Alison Bechdel tiptoe then leap out of the closet and Juno Dawson come out again, but differently. They will bite and lick and groan in sweet surprise with Roz Kaveney, and fall in and out of love alongside Qiu Miaojin in Paris and Taiwan. They will recognise queer saints and icons - Audre Lorde, Larry Kramer, Virginia Woolf - and meet young queer, trans and non-binary writers - Keith Jarrett, Zhang Yueran and Niviaq Korneliussen, among others. Frank Wynne allows their voices to ring out, unashamed and unabashed, in eighty pieces that straddle the spectrum of queer existence: short stories, poems, essays, extracts and scenes from countries the world over, from ancient times to yesterday. Reviews for Queer: 'A landmark anthology of queer writing' BBC Front Row 'A landmark collection of LGBTQ writing from ancient times to yesterday, featuring powerful voices in many literary forms' Spectator, Books of the Year 'A fearless and life-affirming celebration of what Gilbert Adair [...] called 'the second most natural thing in the world'' Review 31, Books of the Year

'Literature with conviction; a furious talent' L'Obs The first volume of THE GLORIOUS YEARS series, translated by Frank Wynne Beirut, 1948. The Pelletier family returns... The Pelletiers are a prominent French family living in Beirut. The patriarch, Louis, has built a successful business manufacturing and exporting artisanal soaps. He hoped to pass the business on to his eldest son, Jean, but Jean doesn't have the sharpness or aptitude for such an enterprise. After nearly running the company into the ground, Jean marries a money-grubbing young woman who quickly makes him miserable, and they emigrate to Paris. But there's another reason Jean must leave - he has committed a terrible crime... His brother, Etienne, travels to Saigon, where he soon uncovers irregularities in the local currency office and begins investigating what he believes is a scheme to channel smuggled goods and cash to the Viet Minh. It is evidence that presents a real threat to his own life. François, the middle Pelletier brother, has gone to Paris, ostensibly to study, but finds himself working as a journalist. His career flies when he reports on the brutal murder of an actress in a cinema ladies' room. It seems a serial killer is on the loose. 'You have the ingredients Balzac would have cooked with. And it is exactly those great 19th century novels that Lemaitre will remind you of' Sunday Times 'Pierre Lemaitre skilfully captivates and stuns the reader' Le Figaro

"Tremendous and enjoyable" - La Libre Belgique "A great success" - La Croix April, 1940. Louise Belmont runs, naked, down the boulevard du Montparnasse. To understand the tragic scene she has just experienced, she will have to plunge into the madness of the 'Phoney War', when the whole of France, seized by the panic of a new World War, descends into chaos. Alongside bistro-owner Monsieur Jules, new recruit Gabriel and small-time crook Raoul, Louise navigates this period of enormous upheaval and extraordinary twists of fate, for as the Nazi's advance, the threat of German occupation will uncover long-buried secrets and make strange bedfellows. With his characteristic wit and verve, Pierre Lemaitre chronicles the greatness and decline of a people crushed by circumstance. In Mirror of Our Sorrows, the final novel in the Paris between-the-wars trilogy, is an incandescent tale that is both burlesque and tragic. Translated from the French by Frank Wynne

"Tremendous and enjoyable" - La Libre Belgique "A great success" - La Croix April, 1940. Louise Belmont runs, naked, down the boulevard du Montparnasse. To understand the tragic scene she has just experienced, she will have to plunge into the madness of the 'Phoney War', when the whole of France, seized by the panic of a new World War, descends into chaos. Alongside bistro-owner Monsieur Jules, new recruit Gabriel and small-time crook Raoul, Louise navigates this period of enormous upheaval and extraordinary twists of fate, for as the Nazi's advance, the threat of German occupation will uncover long-buried secrets and make strange bedfellows. With his characteristic wit and verve, Pierre Lemaitre chronicles the greatness and decline of a people crushed by circumstance. In Mirror of Our Sorrows, the final novel in the Paris between-the-wars trilogy, is an incandescent tale that is both burlesque and tragic. Translated from the French by Frank Wynne

To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to understand the essence of the local culture, the intrepid young scholar scurries around restlessly on his moped to interview residents. But what David doesn’t yet know is that here, in this seemingly ordinary place, once the stage for wars and revolutions, Death leads a dance: when one thing perishes, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human, or wild animal, sometimes in the past, sometimes in the future. And once a year, Death and the living observe a temporary truce during a gargantuan three-day feast where gravediggers gorge themselves on food, drink, and language. Brimming with Mathias Énard’s characteristic wit and encyclopedic brilliance, The Annual Banquet of the Gravediggers’ Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess.  

"One of those rare, transformative novels" KARIM MISKE "Funny and poignant" TIFFANY TSAO, author of The Majesties Initially a little intrigued, all babies eventually return the security guard's smile. The security guard adores babies. Perhaps because babies do not shoplift. Babies adore the security guard. Perhaps because he does not drag babies to the sales. The 1960s - Ferdinand arrives in Paris from Cote d'Ivoire, ready to take on the world and become a big somebody. The 1990s - It is the Golden Age of immigration, and Ossiri and Kassoum navigate a Paris on the brink of momentous change. The 2010s - In a Sephora on the Champs-Elysees, the all-seeing eyes of a security guard observes the habits of those who come to worship at this church to consumerism. Amidst the political bickering of the inhabitants of the Residence for Students from Cote d'Ivoire and the ever-changing landscape of French immigration policy, Ferdinand, Ossiri and Kassoum, two generations of Ivoirians, attempt to make their way as undocumented workers, taking shifts as security at a flour mill. Sharply satirical, political and poignant, Standing Heavy is a searingly witty deconstruction of colonial legacies and capitalist consumption, an unprecedented and unforgettable account of everything that passes under a security guard's gaze. Translated from the French by Frank Wynne "Inventive and very funny" Guardian "A compact, humane satire" Financial Times

'Remarkable . . . a novel about people that never loses its sense of humanity.' Sunday Times 'A deeply human text about the ghosts of identity and decolonization.' Vanity Fair Naïma has always known that her family came from Algeria – but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she’s learned from her grandparents’ tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled. On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki – an Algerian who worked for and supported the French during the Algerian War of Independence? Once a wealthy landowner, how did he become an immigrant scratching a living in France? Naïma’s father, Hamid, says he remembers nothing. A child when the family left, in France he re-made himself: education was his ticket out of the family home, the key to acceptance into French society. But now, for the first time since they left, one of Ali’s family is going back. Naïma will see Algeria for herself, will ask the questions about her family’s history that, till now, have had no answers. Spanning three generations across seventy years, Alice Zeniter’s The Art of Losing tells the story of how people carry on in the face of loss: the loss of a country, an identity, a way to speak to your children. It’s a story of colonization and immigration, and how in some ways, we are a product of the things we’ve left behind. Translated from the French by Frank Wynne. This book is supported by the Institut français (Royaume-Uni) as part of the Burgess programme.

To research his thesis on contemporary agrarian life, anthropology student David Mazon moves from Paris to La Pierre-Saint-Christophe, a village in the marshlands of western France. Determined to capture the essence of rurality, the intrepid scholar shuttles around restlessly on his moped to interview local residents.    Unbeknownst to David, in these nondescript lands, once theatres of wars and revolutions, Death leads the dance. When an existence ends, the Wheel of Life recycles its soul and hurls it back into the world as microbe, human or wild animal, sometimes in the past, sometimes in the future. Only once a year do Death and the living observe a temporary truce, during a gargantuan three-day feast where gravediggers gorge themselves on food, libations and language, presided over by the village mayor.    Brimming with Mathias Enard’s characteristic wit and encyclopaedic brilliance, The Annual Banquet of the Gravediggers’ Guild is a riotous novel where the edges between past and present are constantly dissolving against a Rabelaisian backdrop of excess – and a paradoxically macabre paean to life’s inexhaustible richness.

'Without translation, we would be living in provinces bordering on silence' George Steiner.

It is impossible to overstate the influence world literatures have had in defining each other. No culture exists in isolation; all writers are part of the intertwining braid of literature.

Found In Translation brings together one hundred glittering diamonds of world literature, celebrating not only the original texts themselves but also the art of translation. From Azerbijan to Uzbekistan, by way of China and Bengal, Suriname and Slovenia, some of the greatest voices of world literature come together in a thunderous chorus. If the authors include Nobel Prize winners, some of the translators are equally famous – here, Saul Bellow translates Isaac Beshevis Singer, D.H. Lawrence and Edith Wharton translate classic Italian short stories, and Victoria Hislop has taken her first venture into translation with the only short story written by Constantine P. Cavafy.

This exciting, original and brilliantly varied collection of stories takes the reader literally on a journey, exploring the best short stories the globe has to offer.

"Terrific . . . Easily the most purely entertaining novel I have read so far this year" David Mills, The Sunday Times "A really excellent suspense novelist" Stephen King The second volume of Pierre Lemaitre's enthralling, award-winning between-the-wars trilogy In 1927, the great and the good of Paris gather at the funeral of the wealthy banker, Marcel Péricourt. His daughter, Madeleine, is poised to take over his financial empire (although, unfortunately, she knows next to nothing about banking). More unfortunately still, when Madeleine's seven-year-old son, Paul, tumbles from a second floor window of the Péricourt mansion on the day of his grandfather's funeral, and suffers life-changing injuries, his fall sets off a chain of events that will reduce Madeleine to destitution and ruin in a matter of months. Using all her reserves of ingenuity, resourcefulness, and a burning desire for retribution, Madeleine sets about rebuilding her life. She will be helped by an ex-Communist fixer, a Polish nurse who doesn't speak a word of French, a brainless petty criminal with a talent for sabotage, an exiled German Jewish chemist, a very expensive forger, an opera singer with a handy flair for theatrics, and her own son with ideas for a creative new business to take Paris by storm. A brilliant, imaginative, free-falling caper through between-the-wars Paris, and a portrait of Europe on the edge of disaster. Translated from the French by Frank Wynne Frank Wynne is an award-winning writer and translator. His previous translations include works by Virginie Despentes, Javier Cercas and Michel Houellebecq. His translation of Vernon Subutex I was shortlisted for the Man Booker International Prize. With the support of the Creative Europe Programme of the European Union From the reviews for The Great Swindle "The most purely enjoyable book I've read this year" Jake Kerridge, Sunday Telegraph "The vast sweep of the novel and its array of extraordinary secondary characters have attracted comparisons with the works of Balzac. Moving, angry, intelligent - and compulsive" Marcel Berlins, The Times

Winner of the Prix Renaudot 2019 A New York Times Best Book of 2021 'Extraordinarily beautiful... a long last loving glance at the planet.' Carl Safina, author of Becoming Wild The Art of Patience sees the renowned French adventurer and writer set off for the high plateaux of remotest Tibet in search of the elusive snow leopard. There, in the company of leading wildlife photographer Vincent Munier and two companions, at 5,000 metres and in temperatures of -25C, the team set up their hides on exposed mountainsides, and occasionally in the luxury of an icy cave, to await a visitation from the almost mythical beast. This tightly focused and tautly written narrative is simultaneously a dazzling account of an exacting journey, an apprenticeship in the art of patience, an acceptance of the ruthlessness of the natural world and, finally, a plea for ecological sanity. A small masterpiece, it is one of those books that demands to be read again and again.

FROM THE BESTSELLING AUTHOR OF LIE WITH ME It is the summer of 1916 and, with German Zeppelins on the skyline, the men of Paris are off at war. For Vincent, the sixteen-year-old son of a prestigious family, the tranquillity of the city sits at odds with the salons and soirees he attends. But, after an electrifying encounter with the enigmatic writer, Marcel P, draws Vincent's desires out into the light, his ever-riskier liaisons with a young solider begin to shape Vincent's future. Translated by Frank Wynne 'A short, bold and original novel which beautifully captures the romance and amorality of gilded youth' Independent

In November 2019, Paul B. Preciado was invited to speak in front of 3,500 psychoanalysts at the Ecole de la Cause Freudienne's annual conference in Paris. Standing up in front of the profession for whom he is a 'mentally ill person' suffering from 'gender dysphoria', Preciado draws inspiration in his lecture from Kafka's 'A Report to an Academy', in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars. Demonstrating the discipline's complicity with the ideology of sex, gender and sexual difference dating back to the colonial era, Preciado was heckled and booed and unable to finish. The lecture, filmed on smartphones, ended up published online, where fragments were transcribed, translated and published with no regard for exactitude. Eighteen months on, Can the Monster Speak? is published in a definitive translation for the first time.

LGBTQ writing from ancient times to yesterday selected by award-winning translator Frank Wynne. Drawing together writing from Catullus to Sappho, from Arthur Rimbaud to Anne Lister and Armistead Maupin, translator Frank Wynne has collected eighty of the finest works representing queer love by LGBTQ authors. These pieces straddle the spectrum of queer experience, from Verlaine's sonnet in praise of his lover's anus and Emily Dickinson's exhortation of a woman's beauty, to Alison Bechdel's graphic novel of her coming out, Juno Dawson's reflections on gender and Oscar Wilde's 'De Profundis'. With stories, poems, extracts and scenes from countries the world over, Queer is an unabashed and unapologetic anthology, which gives voice to those often silenced.

Winner of the International Dublin Literary Award 'Remarkable . . . a novel about people that never loses its sense of humanity.' Sunday Times 'Zeniter's extraordinary achievement is to transform a complicated conflict into a compelling family chronicle' Wall Street Journal Naima has always known that her family came from Algeria - but up until now, that meant very little to her. Born and raised in France, her knowledge of that foreign country is limited to what she's learned from her grandparents' tiny flat in a crumbling French sink estate: the food cooked for her, the few precious things they brought with them when they fled. On the past, her family is silent. Why was her grandfather Ali forced to leave? Was he a harki - an Algerian who worked for and supported the French during the Algerian War of Independence? Once a wealthy landowner, how did he become an immigrant scratching a living in France? Naima's father, Hamid, says he remembers nothing. A child when the family left, in France he re-made himself: education was his ticket out of the family home, the key to acceptance into French society. But now, for the first time since they left, one of Ali's family is going back. Naima will see Algeria for herself, will ask the questions about her family's history that, till now, have had no answers. Spanning three generations across seventy years, Alice Zeniter's The Art of Losing tells the story of how people carry on in the face of loss: the loss of a country, an identity, a way to speak to your children. It's a story of colonization and immigration, and how in some ways, we are a product of the things we've left behind. Translated from the French by Frank Wynne

'A darkly sumptuous tale of wicked spectacle, wild injustice and the insuppressible strength of women' EMMA STONEX, author of THE LAMPLIGHTERS 'An essential story of women resisting the unjust exertion of male power' SUNDAY TIMES ____________________ The Salpetriere asylum, 1885. All of Paris is in thrall to Doctor Charcot and his displays of hypnotism on women who have been deemed mad or hysterical, outcasts from society. But the truth is much more complicated - for these women are often simply inconvenient, unwanted wives or strong-willed daughters. Once a year a grand ball is held at the hospital. For the Parisian elite, the Mad Women's Ball is the highlight of the social season; for the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister, she has shunned religion and placed her faith in Doctor Charcot and his new science. But everything begins to change when she meets Eugenie, the 19-year-old daughter of a bourgeois family. Because Eugenie has a secret, and she needs Genevieve's help. Their fates will collide on the night of the Mad Women's Ball... ____________________ 'In this darkly delightful Gothic treasure, Mas explores grief, trauma and sisterhood behind the walls of Paris' infamous Salpetriere hospital' PAULA HAWKINS, author of A SLOW FIRE BURNING 'A beautifully written debut...I have absolutely no doubt it will be one of my favourite novels of 2021.' AJ PEARCE, author of DEAR MRS BIRD 'Essential reading' COSMOPOLITAN 'A deftly woven tale of hope and pain, judgement and redemption, cruelty and kindness. Utterly captivating and profoundly affecting.' Sunday Times bestseller, MIRANDA DICKENSON 'Enter the dance of this little masterpiece and let yourself be dazzled. Assured of hitting the bestseller lists' THE PARISIAN ____________________ AN AMAZON PRIME ORIGINAL FILM STARRING MELANIE LAURENT